JOE ZUCKER: Drawings 1977-2003
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Overview
Since the beginning of his career in the mid-sixties, Joe Zucker has arguably invented more ways to make paintings than anyone else. His device is as simple as it is unorthodox: he proceeds as if canvas does not exist. Instead he paints with cotton balls dipped into paint, hangs paint on an armature of string or aluminum foil, extrudes paint through pegboard or pours it. Each body of work is a unique species, with its own personality: opulent, humble, fantastic, or humorous.
As he expands method, Zucker augments content. Generous dollops of folklore, fantasy, and pedagogy enliven his drawings. In a personal and loquacious narrative, the artist comments on the historical connections between cotton plantations and Mississippi riverboats, or his whole-hearted enthusiasm for Captain Ahab, the life of a paint brush, or a summer's fishing for pike.Certainly no one has carried the banner of art as allegory farther, more succinctly, or more sweetly, than he.
Joe Zucker was born in 1941 and currently lives and works in East Hampton. An exhibition of the artist's paintings will run concurrently at Paul Kasmin Gallery in Chelsea. The two exhibitions follow a career in the front lines of innovation. This is Zucker's third show at Nolan/Eckman Gallery. -
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Joe ZuckerOLD COOT, 1994Watercolour And Ink On Paper22 x 29.5 inches
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Joe ZuckerUNTITLED (NOT AWARE THAT THE BRISTLES...), 1996watercolor and ink on paper18 x 24 inches
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Joe ZuckerUNTITLED (INTERIOR VIEW OF THE WINDSOR...), 1996watercolor and ink on paper18 x 24 inches
45.7 x 61 cm -
Joe ZuckerUNTITLED (MOST PEOPLE ARE AWARE OF THE FACT...), 1996ink and watercolor on paper18 x 24 inches
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Joe ZuckerAXE LAKE (LEGEND), 1994Felt Tip Pen On Rice Paper19 x 23 inches
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Joe ZuckerGENTLEMEN'S SPORT, 1994Watercolour And Ink On Paper22 x 29.5 inches
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Joe ZuckerOne Timer, 2003watercolor on paper20 x 14 inches
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Joe ZuckerRacks, 2003ink on paper20 x 15 inches
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Joe ZuckerRobo Crate Storage (this is not an ant colony), 2003ink on paper20 x 30 inches
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Joe ZuckerRobo Crater, 2003ink on paper30 x 20 inches
76.2 x 50.8 cm -
Joe ZuckerTwo Mayley Pirates, 1977magic marker on paper19 x 24 inches
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Joe ZuckerPirate Junk with Gang Plank, 1977magic marker on paper24 x 38 inches
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Joe ZuckerSlaver Trinidad, 1978pen and colored pen on paper17 1/2 x 24 in (44.5 x 61 cm)
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Joe ZuckerMr. Zucker; I'm sure your work's in there somewhere, 2003graphite and watercolor on paper22 x 30 inches
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Joe ZuckerRobo-fleet, 2003graphite and watercolor on paper22 x 30 inches
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Joe ZuckerThe Legendary, 2003graphite and watercolor on paper14 x 20 inches
35.6 x 50.8 cm -
Joe ZuckerBarque Study, 2000watercolor on paper, two parts23 3/4 x 17 3/4 inches and 17 3/4 x 23 3/4 inches
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Press
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Joe Zucker's Color Constructions
Stephen Westfall · Art in America May 1, 2004Joe Zucker has been a synthesizing original right from the outset. The homespun quality of his materials and processes reveals, rather than masks, a keen formal and historical sensibility, while... -
JOE ZUCKER’S FIBER OPTICS
Carroll Dunham · Artforum April 1, 2004The history of the New York art world in the 1970s is assumed to be clear but is actually not well understood. So many subsequent developments had roots, precursors, or...
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Artist