WILLIAM N. COPLEY: Works from the 1970's
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OverviewNolan/Eckman Gallery is pleased to announce an exhibition of works from the 1970's by William N. Copley. On view will be paintings and drawings as well as a chessboard entitled "Breton Revisited," a nod to the Surrealist circle's passion for the game. Through his art, Copley tried to convey the uncomplicated sensual joy with which he lived his own life by developing a playful, erotic iconography characterized by bold colors, a heavy, cartoon-like contour line, and an unabashed irreverence towards all matters of taste and morality in his subjects, which ranged from the war of the sexes to mundane objects such as pianos and baby carriages.
Walter Hopps, the late American curator and critic, has called William N. Copley the "crucial link between classical Surrealist art and the new American Pop art." Copley was born in 1919 in New York City and was adopted as an infant by the wealthy owners of the Copley Newspapers. He attended Andover Academy and Yale University and then moved to Los Angeles in the 1940's after serving in Italy and North Africa during World War II. It was during his time in L.A. that he was introduced to Surrealism, a European avant-garde movement practically unheard of at the time in the United States. In 1947, he opened a gallery in Beverly Hills devoted exclusively to the sale and exhibition of Surrealist works by Man Ray, Marcel Duchamp, Joseph Cornell, Roberto Matta, Yves Tanguy, Max Ernst, René Magritte, among others. Copley closed his gallery a year later after failing to generate much enthusiasm among American collectors, and turned to becoming an artist in his own right. He deepened his friendship with the icons associated with Surrealism when he moved to Paris in 1951, became accepted as a member of the movement, and firmly established his own career as an artist with a solo exhibition at London's Institute of Contemporary Art in 1961. Since then Copley has exhibited extensively internationally, including Documenta 5 and 7, the Kestner-Gesellschaft, Hannover, the Centre Pompidou, Paris, the Stedelijk Museum, Amsterdam, the New Museum of Contemporary Art, New York, and the St. Louis Art Museum. In 1996, Copley passed away at his home in Key West, Florida at the age of 77. -
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William CopleyMatch Nul, 1970acrylic on linen24 x 72 inches
61 x 182.9 cm -
William CopleyUntited (Breton Revisited), 1958-67Glass, Metal, Mixed Media60 x 60 x 26 inches
152.4 x 152.4 x 66 cm -
William CopleyUntitled, 1970Ink and charcoal on paper25 1/2 x 19 inches
64.8 x 48.3 cm -
William CopleySelf Portrait with Three Muskateers, 1969acrylic on canvas29 x 36 inches
73.7 x 91.4 cm -
William CopleyJuliet & Romeo, 1970acrylic on canvas25 1/2 x 32 inches
64.8 x 81.3 cm -
William CopleyUntitled, 1970acrylic on canvas40 x 32 inches
101.6 x 81.3 cm -
William CopleyVise Grip, 1971acrylic on canvas45 x 58 inches
114.3 x 147.3 cm -
William CopleyUntitled, 1971acrylic on canvas board12 x 12 inches
30.5 x 30.5 cm -
William CopleyGabrielle d'Estrees, 1972acrylic on canvas58 x 45 inches
147.3 x 114.3 cm -
William CopleyMiss America, 1976acrylic on canvas65 x 52 inches
165.1 x 132.1 cm -
William CopleyUntitled, 1971brush, ink & charcoal on paper30 x 23 inches
76.2 x 55.9 cm -
William CopleyBoxing Glove, 1971acrylic on canvas38 3/4 x 32 inches
98.5 x 81.5 cm -
William CopleyBicycle, 1971acrylic on canvas38 x 51 inches
96.5 x 129.5 cm
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