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A TRIBUTE TO KLAUS KERTESS' BYKERT GALLERY 1966-75, PART II

June 9 - July 29, 2022

A TRIBUTE TO KLAUS KERTESS' BYKERT GALLERY 1966-75, PART II

Past exhibition
  • Overview
  • Installation Views
  • Artist
  • Overview
    A TRIBUTE TO KLAUS KERTESS' BYKERT GALLERY 1966-75, PART II

    BILL BOLLINGER · PETER GOURFAIN · BARRY LE VA · BRICE MARDEN · DAVID RABINOWITCH · DOROTHEA ROCKBURNE · PAUL SHARITS · RICHARD VAN BUREN · JOE ZUCKER

     

    David Nolan Gallery is pleased to present the second iteration of our homage to Klaus Kertess’ Bykert Gallery, which runs from June 9 through July 29. Bykert Gallery, which existed in the same building as the current David Nolan Gallery, operated from 1966 to 1975. The gallery’s program and exhibitions were led by the formidable curatorial eye of Klaus Kertess, who went on to hold positions at the Parrish Art Museum; Museum of Contemporary Art, Detroit; and the Whitney Museum of American Art. Though the gallery’s doors remained open less than a decade, its impact on the New York art scene was vast, showcasing the then emerging talents of Lynda Benglis, Chuck Close, Brice Marden, Barry Le Va and Dorothea Rockburne. Evidenced by the decorated careers and accomplishments of these artists, Kertess had an uncanny ability to spot and nurture talent, even though the work was considered radical and risky at the time.

    The second installation of this show intends to shed light on other artists in the Bykert stable, with an emphasis on the work of Bill Bollinger. Bollinger’s sculpture activates the readymade tradition using a variety of materials like water, stone, wood, pipe and containers to directly express force – particularly gravity – and process. Given their extemporaneous nature, much of Bollinger’s sculpture pieces are reconstructed for the purpose of this exhibition. Thus, the artist’s drawings remain the most enduring and direct exposition of his ideas. In addition to a group of untitled “horizon line drawings,” two never shown stencil drawings are exhibited: Bollinger’s thesis drawing I Am Gravity, and Gravity’s Grey Eminence Among the Councils of the Living Stone, quoting from Thomas Pynchon’s novel Gravity’s Rainbow.

    One sculpture centers the exhibition. Isa’s Flower, first exhibited in Water is life and like art it finds its own level, Bollinger’s 1970 solo exhibition at Galleria Sperone, is installed in the gallery alongside the certificate drawing for the barrel/water pieces in the early Sperone show. Bill Bollinger’s investigations of materiality, temporality and commodity were challenging, daring, and largely influential. The presentation and selection of Bollinger’s work is curated with the assistance of Mitchell Algus. The exhibition will also display the conceptual symbiosis that links Bill Bollinger and Barry Le Va, creating a formal and aesthetic through line.

  • Installation Views
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    Open a larger version of the following image in a popup: Bykertgalleryi Ii 1
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    • Joe Zucker Captain Murano's Flagship, 1979 felt marker on paper 18 x 24 in (45.7 x 61 cm)
      Joe Zucker
      Captain Murano's Flagship, 1979
      felt marker on paper
      18 x 24 in (45.7 x 61 cm)
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    • Joe Zucker Slaver Trinidad, 1978 pen and colored pen on paper 17 1/2 x 24 in (44.5 x 61 cm)
      Joe Zucker
      Slaver Trinidad, 1978
      pen and colored pen on paper
      17 1/2 x 24 in (44.5 x 61 cm)
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    • Bill Bollinger Untitled (Horizon Line Drawing), 1969 graphite on paper collage 9 x 11 7/8 in (22.86 x 30.16 cm) framed: 11 1/8 x 14 1/2 in (22.26 x 36.83 cm)
      Bill Bollinger
      Untitled (Horizon Line Drawing), 1969
      graphite on paper collage
      9 x 11 7/8 in (22.86 x 30.16 cm)
      framed: 11 1/8 x 14 1/2 in (22.26 x 36.83 cm)
    • Bill Bollinger Untitled (Horizon Line Drawing), 1969 graphite on paper 10 x 11 3/4 in (25.4 x 29.85) framed: 11 x 14 1/2 in (27.94 x 36.83)
      Bill Bollinger
      Untitled (Horizon Line Drawing), 1969
      graphite on paper
      10 x 11 3/4 in (25.4 x 29.85)
      framed: 11 x 14 1/2 in (27.94 x 36.83)
    • Bill Bollinger Untitled (Horizon Line Drawing), 1969 pen and spray paint on paper 8 1/2 x 10 15/16 in (21.6 x 27.78 cm) framed: 11 x 14 1/2 in (27.94 x 36.83 cm)
      Bill Bollinger
      Untitled (Horizon Line Drawing), 1969
      pen and spray paint on paper
      8 1/2 x 10 15/16 in (21.6 x 27.78 cm)
      framed: 11 x 14 1/2 in (27.94 x 36.83 cm)
    • Bill Bollinger Untitled (Horizon Line Drawing), 1969 graphite and spray paint on paper 9 x 11 7/8 in (22.86 x 30.16 cm) framed: 11 1/16 x 14 1/2 in (28.01 x 36.83 cm)
      Bill Bollinger
      Untitled (Horizon Line Drawing), 1969
      graphite and spray paint on paper
      9 x 11 7/8 in (22.86 x 30.16 cm)
      framed: 11 1/16 x 14 1/2 in (28.01 x 36.83 cm)
    • Bill Bollinger Gravity's Grey Eminence Among the Councils of the Living Stone, late 1960s spray paint and ink 18 x 24 in (45.72 x 60.96 cm) framed: 23 x 30 3/4 in (58.42 x 78.105 cm)
      Bill Bollinger
      Gravity's Grey Eminence Among the Councils of the Living Stone, late 1960s
      spray paint and ink
      18 x 24 in (45.72 x 60.96 cm)
      framed: 23 x 30 3/4 in (58.42 x 78.105 cm)
    • Bill Bollinger Untitled, 1971 paper collage 17 x 22 in (43.18 x 55. 88 cm) framed: 22 x 27 3/4 in (55. 88 x 70. 49 cm)
      Bill Bollinger
      Untitled, 1971
      paper collage
      17 x 22 in (43.18 x 55. 88 cm)
      framed: 22 x 27 3/4 in (55. 88 x 70. 49 cm)
    • Bill Bollinger Untitled, 1971 paper collage 17 x 22 in (43.18 x 55. 88 cm) framed: 21 1/8 x 27 5/8 in (53.66 x 70.17 cm)
      Bill Bollinger
      Untitled, 1971
      paper collage
      17 x 22 in (43.18 x 55. 88 cm)
      framed: 21 1/8 x 27 5/8 in (53.66 x 70.17 cm)
    • Bill Bollinger I Am Gravity, late 1960s spray paint, oil stick, and ink 22 x 28 in (55.9 x 71.1 cm) framed: 26 1/2 x 32 in (67.31 x 81.28 cm)
      Bill Bollinger
      I Am Gravity, late 1960s
      spray paint, oil stick, and ink
      22 x 28 in (55.9 x 71.1 cm)
      framed: 26 1/2 x 32 in (67.31 x 81.28 cm)
    • Bill Bollinger Isa’s Flower, 1970
      Bill Bollinger
      Isa’s Flower, 1970
    • Bill Bollinger
      Bill Bollinger
    • David Rabinowitch 3 Constructions of Vision - Amati Group III, 1975 graphite on paper 50 1/4 x 38 1/4 in (127.6 x 97.2 cm) framed: 51 7/8 x 40 in (131.76 x 101.6 cm)
      David Rabinowitch
      3 Constructions of Vision - Amati Group III, 1975
      graphite on paper
      50 1/4 x 38 1/4 in (127.6 x 97.2 cm)
      framed: 51 7/8 x 40 in (131.76 x 101.6 cm)
    • David Rabinowitch 3 Constructions of Vision - Amati Group III, 1975 graphite on paper 50 1/4 x 38 1/4 in (127.6 x 97.2 cm) framed: 51 7/8 x 40 in (131.76 x 101.6 cm)
      David Rabinowitch
      3 Constructions of Vision - Amati Group III, 1975
      graphite on paper
      50 1/4 x 38 1/4 in (127.6 x 97.2 cm)
      framed: 51 7/8 x 40 in (131.76 x 101.6 cm)
    • David Rabinowitch 3 Constructions of Vision - Amati Group III, 1975 graphite on paper 50 1/4 x 38 1/4 in (127.6 x 97.2 cm) framed: 51 7/8 x 40 in (131.76 x 101.6 cm)
      David Rabinowitch
      3 Constructions of Vision - Amati Group III, 1975
      graphite on paper
      50 1/4 x 38 1/4 in (127.6 x 97.2 cm)
      framed: 51 7/8 x 40 in (131.76 x 101.6 cm)
    • Richard Van Buren Untitled, 1974 flomaster ink with lighter fluid and metal foil 11 x 14 in (27.9 x 35.6 cm)
      Richard Van Buren
      Untitled, 1974
      flomaster ink with lighter fluid and metal foil
      11 x 14 in (27.9 x 35.6 cm)
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      %3Cdiv%20class%3D%22artist%22%3ERichard%20Van%20Buren%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EUntitled%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E1974%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3Eflomaster%20ink%20with%20lighter%20fluid%20and%20metal%20foil%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E11%20x%2014%20in%20%2827.9%20x%2035.6%20cm%29%3C/div%3E
    • Richard Van Buren Untitled, 1974 polyester resin, dry pigment and acrylic strings 16 x 13 in x 3 1/4 in (40.6 x 33 x 8.26 cm)
      Richard Van Buren
      Untitled, 1974
      polyester resin, dry pigment and acrylic strings
      16 x 13 in x 3 1/4 in (40.6 x 33 x 8.26 cm)
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    • Richard Van Buren Untitled, 1971 2 overlay with flomaster ink, lighter fluid and vellum 14 x 11 in (35.6 x 27.9 cm)
      Richard Van Buren
      Untitled, 1971
      2 overlay with flomaster ink, lighter fluid and vellum
      14 x 11 in (35.6 x 27.9 cm)
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    • Richard Van Buren Untitled, 1974 flomaster ink with lighter fluid and vellum 26 1/2 x 41 in (67.3 x 104.1 cm)
      Richard Van Buren
      Untitled, 1974
      flomaster ink with lighter fluid and vellum
      26 1/2 x 41 in (67.3 x 104.1 cm)
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    • Peter Gourfain Untitled, c. 1973 oil stick on paper 28 1/4 x 42 in (71.8 x 106.8 cm) framed: 32 1/4 x 46 1/4 (81.92 x 117.475 cm)
      Peter Gourfain
      Untitled, c. 1973
      oil stick on paper
      28 1/4 x 42 in (71.8 x 106.8 cm)
      framed: 32 1/4 x 46 1/4 (81.92 x 117.475 cm)
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      %3Cdiv%20class%3D%22artist%22%3EPeter%20Gourfain%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EUntitled%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3Ec.%201973%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3Eoil%20stick%20on%20paper%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E28%201/4%20x%2042%20in%20%2871.8%20x%20106.8%20cm%29%3Cbr/%3E%0Aframed%3A%2032%201/4%20x%2046%201/4%20%2881.92%20x%20117.475%20cm%29%3C/div%3E
    • Peter Gourfain Untitled, c. 1973 oil stick on paper 31 1/4 x 42 in (79.4 x 106.8 cm) framed: 35 x 46 1/4 in (88.9 x 117.475 cm)
      Peter Gourfain
      Untitled, c. 1973
      oil stick on paper
      31 1/4 x 42 in (79.4 x 106.8 cm)
      framed: 35 x 46 1/4 in (88.9 x 117.475 cm)
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    • Barry Le Va Installation Layout- Bykert Gallery (Downtown), 1975 ink and graphite on vellum 11 x 17 in (27.9 x 43.2 cm)
      Barry Le Va
      Installation Layout- Bykert Gallery (Downtown), 1975
      ink and graphite on vellum
      11 x 17 in (27.9 x 43.2 cm)
      Inquire
      %3Cdiv%20class%3D%22artist%22%3EBarry%20Le%20Va%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EInstallation%20Layout-%20Bykert%20Gallery%20%28Downtown%29%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E1975%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3Eink%20and%20graphite%20on%20vellum%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E11%20x%2017%20in%20%2827.9%20x%2043.2%20cm%29%3C/div%3E
    • Barry Le Va Study / Half Circle Glass Throws 4’-8’-16’, 1972 felt tip marker on paper 35 x 46 in (88.9 x 116.84 cm) framed: 38 x 49 in (96.52 x 124.46 cm)
      Barry Le Va
      Study / Half Circle Glass Throws 4’-8’-16’, 1972
      felt tip marker on paper
      35 x 46 in (88.9 x 116.84 cm)
      framed: 38 x 49 in (96.52 x 124.46 cm)
    • Dorothea Rockburne Copal #3, 1975 colored pencil and copal on paper collage mounted on paperboard collage: 19 5/8 x 15 in (49.8 x 38.1 cm) overall: 39 1/8 x 29 in (99.4 x 73.7 cm) framed: 40 1/2 x 30 1/2 in (102.87 x 77.47 cm)
      Dorothea Rockburne
      Copal #3, 1975
      colored pencil and copal on paper collage mounted on paperboard
      collage: 19 5/8 x 15 in (49.8 x 38.1 cm)
      overall: 39 1/8 x 29 in (99.4 x 73.7 cm)
      framed: 40 1/2 x 30 1/2 in (102.87 x 77.47 cm)
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    • Dorothea Rockburne Inverse # 6, 1974 pen on folded paper 32 1/8 x 42 1/8 in (81.3 x 106.7 cm)
      Dorothea Rockburne
      Inverse # 6, 1974
      pen on folded paper
      32 1/8 x 42 1/8 in (81.3 x 106.7 cm)
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    • Brice Marden Untitled, 1963 charcoal on Arches paper 18 x 24 in (45.7 x 61 cm) Drawing inspected by Brice Marden in February 2022. Marden Studio has recent high-resolution images in its possession.
      Brice Marden
      Untitled, 1963
      charcoal on Arches paper
      18 x 24 in (45.7 x 61 cm)

      Drawing inspected by Brice Marden in February 2022. Marden Studio has recent high-resolution images in its possession.
    • Joe Zucker Mayflower Study, 1973 photo-collage and pen on paper 22 x 22 1/2 in (55.9 x 57.2 cm)
      Joe Zucker
      Mayflower Study, 1973
      photo-collage and pen on paper
      22 x 22 1/2 in (55.9 x 57.2 cm)
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      %3Cdiv%20class%3D%22artist%22%3EJoe%20Zucker%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EMayflower%20Study%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E1973%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3Ephoto-collage%20and%20pen%20on%20paper%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E22%20x%2022%201/2%20in%20%2855.9%20x%2057.2%20cm%29%3C/div%3E
    • Joe Zucker HMS Halsey vs HMS Nelson, 1973 rhoplex paint on cotton strips on canvas 50 x 81 x 3 in (127 x 205.7 x 7.6 cm)
      Joe Zucker
      HMS Halsey vs HMS Nelson, 1973
      rhoplex paint on cotton strips on canvas
      50 x 81 x 3 in (127 x 205.7 x 7.6 cm)
    • Barry Le Va Shattered On Center, On Edge, On Corners - Two Layers at a Time (Within the Series of Layered Pattern Acts), 1968-1971/2017 27 sheets of glass in 4 varying sizes dimensions vary with installation
      Barry Le Va
      Shattered On Center, On Edge, On Corners - Two Layers at a Time (Within the Series of Layered Pattern Acts), 1968-1971/2017
      27 sheets of glass in 4 varying sizes
      dimensions vary with installation
      Inquire
      %3Cdiv%20class%3D%22artist%22%3EBarry%20Le%20Va%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EShattered%20On%20Center%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3EOn%20Edge%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3EOn%20Corners%20-%20Two%20Layers%20at%20a%20Time%20%28Within%20the%20Series%20of%20Layered%20Pattern%20Acts%29%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E1968-1971/2017%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3E27%20sheets%20of%20glass%20in%204%20varying%20sizes%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3Edimensions%20vary%20with%20installation%3C/div%3E
    • Bill Bollinger Isa's Flower, 1970 four steel barrels, hoses, water dimensions vary with installation
      Bill Bollinger
      Isa's Flower, 1970
      four steel barrels, hoses, water
      dimensions vary with installation
    • Joe Zucker White Table Top, 2019 cotton balls and acrylic on burlap 33 3/8 x 66 1/4 x 5 1/4 in (84.8 x 168.3 x 13.3 cm)
      Joe Zucker
      White Table Top, 2019
      cotton balls and acrylic on burlap
      33 3/8 x 66 1/4 x 5 1/4 in (84.8 x 168.3 x 13.3 cm)
      Inquire
      %3Cdiv%20class%3D%22artist%22%3EJoe%20Zucker%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EWhite%20Table%20Top%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2019%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3Ecotton%20balls%20and%20acrylic%20on%20burlap%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E33%203/8%20x%2066%201/4%20x%205%201/4%20in%20%2884.8%20x%20168.3%20x%2013.3%20cm%29%3C/div%3E
    • Paul Sharits Untitled, 1970s color negative film strips in plexiglass sheets 14 x 17 x 3/8 in (35.56 x 43.18 x 0.95 cm)
      Paul Sharits
      Untitled, 1970s
      color negative film strips in plexiglass sheets
      14 x 17 x 3/8 in (35.56 x 43.18 x 0.95 cm)
      Inquire
      %3Cdiv%20class%3D%22artist%22%3EPaul%20Sharits%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EUntitled%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E1970s%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3Ecolor%20negative%20film%20strips%20in%20plexiglass%20sheets%20%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E14%20x%2017%20x%203/8%20in%20%2835.56%20x%2043.18%20x%200.95%20cm%29%3C/div%3E
  • Artist
    • BARRY LE VA

      BARRY LE VA

    • JOE ZUCKER

      JOE ZUCKER

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