Barry Le Va
Barry Le Va
Adjacent (Cleaved Wall)
1969 / 2017
34 meat cleavers
overall dimensions variable
(BL6290)
Barry Le Va
Cleaved Wall
January 11 – February 18, 2017
David Nolan Gallery is pleased to present Barry Le Va: Cleaved Wall, on view in our main gallery from January 11 through February 11, 2017. Featuring a single dramatic installation – comprised of 34 meat cleavers, in two rows, at the top and bottom of adjacent walls – the work was originally conceived in 1969, and a variant of the present version was shown at the Whitney Museum of American Art in 1970.
Describing the origins of this work in the catalogue accompanying Le Va’s 2005 retrospective at ICA Philadelphia, Ingrid Schaffner writes: “On one of his trips driving back to Minneapolis from New York in 1969, Le Va picked up a bunch of cleavers. Big, heavy, 3 ½-pound ones, with 9 ½-inch-long blades, that he had obtained, appropriately enough, from a butcher supply store around the meat yards of Chicago. He started by sticking the cleavers into the floor. This made for some pretty vicious-looking distributions, but failed to convey the desired threat of bodily harm. Le Va achieved this with his next move into the realm of figurative reference, by cleaving the blades into the vertical field of the wall.
Le Va approached working on the wall with cleavers the same as working on the floor with felt – with deliberation. Using the cleavers and the marks made by sticking them into and removing them from the wall, he wanted to create enough of a pattern to induce viewers into reconstructing movement, sequence, and method. Where was the artist (attacker) standing? How were the cleavers thrown? In what order? To study their arrangement is to conjure the artist in action, working to the measure of his own body.”
Barry Le Va was born in 1941 in Long Beach, California and currently lives and works in New York City. This is his 12th solo exhibition at the gallery since 1989.
On view concurrently in Gallery 2 is Julia Fish: floret, an exhibition of five works on paper that were conceived in conjunction with her site-specific installation: floor [ floret ], at Ten in One Gallery in 1998.