Richard Pettibone
Andy Warhol "Marilyn Monroe (brown) 1962." Signed by Andy Warhol
1973
acrylic and silkscreen on canvas
2 3/8 x 1 7/8 in
6 x 4.8 cm
RP4756
Richard Pettibone
Andy Warhol "Brillo Box, 1964." [White/Ed. Of 5]
1969
acrylic and silkscreen on wood
4 x 4 3/4 x 2 3/4 in
10.2 x 12.1 x 7 cm
RP4750
Richard Pettibone
Duchamp, "Fontaine. 1917."
Duchamp "Pliant de Voyage 1917."
Duchamp "Roue de Bicyclette. 1913."
1965
triptych: acrylic, oil and rubber stamp on canvas
each: 4 3/8 x 4 3/8 in
11.1 x 11.1 cm
RP4730
Richard Pettibone
Duchamp "Bicycle Wheel. 1913"
1965
wood stool, bicycle wheel rim and forks
52 1/2 x 24 x 15 1/4 in
133.4 x 61 x 38.7 cm
RP4724
Richard Pettibone
Jasper Johns "Shade. 1959."
1967
oil and wood collage on canvas
10 1/8 x 7 3/4 in
25.7 x 19.7 cm
RP4737
Richard Pettibone
"Untitled (Train ran over painting, Oct. 13, 1964)" [Diptych] (Andy Warhol "Pepper Pot. 1962" 1964)
1964
acrylic, type, rubber stamp and oil on canvas, wood and plexiglass
4 7/8 x 5 1/4 in
12.4 x 13.3 cm
4 3/8 x 4 3/8 in
11.1 x 11.1 cm
RP4746
Richard Pettibone
Constantin Brancusi "Column of Infinity. 1918-37"
1997
painted basswood & maple
107 x 9 3/4 x 9 3/4 in
271.8 x 24.8 x 24.8 cm
RP4719
Richard Pettibone
Constantin Brancusi "Endless Column. 1918-1937."
1992
cherry and maple
81 1/2 x 7 1/2 x 7 1/2 in
207 x 19.1 x 19.1 cm
RP4720
Richard Pettibone
Andy Warhol "Pepper Pot. 1962." (Green)
1964
acrylic, oil and rubber stamp on canvas
8.3/8 x 6 3/8 in
21.3 x 16.2 cm
RP4761
Richard Pettibone
Duchamp "Pliant de Voyage. 1917"; Warhol, Andy "Jackie, 1964" (twelve times); and Stella, Frank "Hampton Roads", 1961
1969
acrylic, enamel and silkscreen on canvas
7 x 28 3/4 in
17.8 x 73 cm
RP4729
Richard Pettibone
Roy Lichtenstein "Aloha. 1962."
1968
acrylic and silkscreen on canvas
6 1/4 x 6 1/4 in
15.9 x 15.9 cm
RP4740
For our summer show, David Nolan Gallery is pleased to announce an exhibition of works by Richard Pettibone. On view from July 9 through August 9, this presentation brings together 5 sculptures and nearly 40 paintings from the 1960s and spanning the artist’s career.
A key proponent of the West Coast “Conceptual Pop” movement, Pettibone appropriated imagery from Warhol, Lichtenstein and Brancusi – among others. The rear gallery will be devoted to copies of the artist’s abiding inspiration, Marcel Duchamp.
Typically framed and constructed upon miniature stretcher bars, his small-scale “replicas” subvert the traditional notion of artists as creators of original works of art while maintaining a critical distance from the artworks that they reproduce. As the catalogue for Pettibone’s last major retrospective (2005-6) suggests: “his appropriations do more than merely commemorate their sources. Although comic and good-humored, they probe and tweak those sources.” The present exhibition offers a rare to opportunity to assess the work of this important American artist.