Serban Savu
Concrete Needs More Time to Harden
2008
oil on canvas
43 1/4 x 63 inches
110 x 160 cm
SS2387
Serban Savu
Mountain of Nostalgia
2008
oil on canvas
59 x 78 3/4 inches
150 x 200 cm
SS2386
Serban Savu
Genre Scene
2008
oil on canvas
48 3/4 x 63 1/2 inches
124 x 161.5 cm
SS2388
Serban Savu
In the Shadow of the Dam
2008
oil on canvas
57 1/2 x 48 1/2 inches
146 x 123 cm
SS2389
Serban Savu
Young Father
2008
oil on canvas
7 7/8 x 11 3/4 inches
20 x 30 cm
SS2390
Serban Savu
The Guardian of the Valley
2008
oil on canvas
12 5/8 x 19 3/4 inches
32 x 50 cm
SS2391
Serban Savu
Heavy Light
2008
oil on canvas
28 x 39 3/8 inches
71 x 100 cm
SS2392
Serban Savu
The Traveler
2008
oil on canvas
10 1/4 x 15 3/4 inches
26 x 40 cm
SS2393
Serban Savu
The Edge of the Empire
2008
oil on canvas
49 5/8 x 74 3/4 inches
126 x 190 cm
SS2394
Serban Savu
The Great Landowner
2008
oil on canvas
38 1/2 x 57 7/8 inches
98 x 147 cm
SS2395
Serban Savu
Peripheral View
2008
oil on canvas
13 x 13 inches
33 x 33 cm
SS2396
Serban Savu
They Cannot Hear Us
2008
oil on canvas
11 3/4 x 16 1/2 inches
30 x 42 cm
SS2397
Serban Savu
Early Days of Summer
2008
oil on canvas
7 7/8 x 11 3/4 inches
20 x 30 cm
SS2398
Serban Savu
The Trap Girl
2008
oil on canvas
11 x 15 3/4 inches
28 x 40 cm
SS2399
Serban Savu
The Edge of the Empire
February 5 - March 28, 2009
Serban Savu
The Edge of the Empire
February 5 - March 28, 2009
Serban Savu
The Edge of the Empire
February 5 - March 28, 2009
Serban Savu
The Edge of the Empire
February 5 - March 28, 2009
Serban Savu
The Edge of the Empire
February 5 - March 28, 2009
New York, NY, January 10, 2009 – David Nolan Gallery is pleased to present the first major solo exhibition in the United States of Romanian artist Serban Savu. This will be the third exhibition at the gallery's new Chelsea location.
Savu is part of a group of artists from Cluj, schooled in the tradition of Social Realism, who grew up during the overturn of the Communist regime (1989). He is one of the few painters from this group who still lives and works in Romania as it transitions into a democratic, capitalist state. As the title suggests, "The Edge of The Empire" references Romania as a country that has always been on the margins of great civilizations- the Romans (27 B.C.- 476 A.D.), the Ottomans (1299–1923), the Austro-Hungarians (1867 -1918), and the Soviet Union (1922-1991). His paintings focus on the absurdity and uselessness of "The New Man," the Communist model of the ideal worker, who is ill equipped to perform in Savu's fallen utopias. His landscapes are not spectacular scenes, but daily ones in which the sociopolitical issues are hidden rather than visible.
Savu's thousands of delicate touches of the brush to the canvas evoke a knowingness, ambition and skepticism that distance him from the figures in his paintings. The paintings are not troubled or angry, but their patient straightforwardness suggests their being motivated by a calculated dissatisfaction and a history of defeat. The palette realistically represents the Romanian landscapes, imbuing the work with an air of nostalgia.
In 2007, David Nolan Gallery featured Savu's work in a Romanian group show Across the Trees (the English translation of Transylvannia). The response to their first showing in New York was outstanding, and they received reviews in The New York Times, ArtForum , Flash Art and The New Yorker. In 2002 Savu was awarded the Nicolae Lorga postgraduate research grant, and in 2007 he was short listed for the Sovereign European Art Prize.
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Media Contact: For further information, images or to arrange for an interview, please contact: Sarah Fritchey, T: 212-925-6190, F: 212-334-9139, E: sarah@davidnolangallery.com