Heretofore, Ross’s approach has been to mold plasticine hunks, take photos of them, and then paint the results on canvas to create metastasizing alien forms that bridge a gap between abstraction and representation. His new work features a notable twist: realistic-seeming landscapes viewed from on high. Yet they are as recombinant as his previous work—a mash-up of Google Maps and images of the sky borrowed from the backgrounds of Surrealist paintings. Through June 18.
May 19, 2011
